Detailansicht
Belle Morte - Rot wie Liebe
eBook - Die süchtig machende Fortsetzung der Vampirbestsellerreihe.,'Die Belle Morte-Reihe'
ISBN/EAN: 9783641301620
Umbreit-Nr.: 1288760
Sprache:
Deutsch
Umfang: 448 S.
Format in cm:
Einband:
Keine Angabe
Erscheint am 12.06.2024
Auflage: 1/2024
E-Book
Format: EPUB
DRM: Digitales Wasserzeichen
- Zusatztext
- <b>Die Wahrheit hat ihren Preis ...</b><br /><br />Renie Mayfield hat den tödlichen Angriff auf Belle Morte nur knapp überlebt ¿ doch zu einem hohen Preis. Ihr neues Leben als Vampirin ist ebenso schmerzlich wie die Wahrheit über ihre verschollene Schwester June. Doch neben der Suche nach dieser gilt ihr Fokus jetzt Edmond Dantès, dem Vampir, der ihr zu einem neuen Leben verholfen hat ¿ und der sich jetzt vor einem Tribunal von Vampiren für seine Taten verantworten muss. Renie muss tief in die Geheimnisse von Belle Morte eintauchen, um Edmond und sich selbst zu retten ¿<p><b>Opulent, faszinierend, sexy: Band 2 der unwiderstehlichen Vampir-Romantasy-Reihe und Wattpad-Sensation. </b>
- Kurztext
- Miniature and fragmentary objects are both eye-catching and yet easily dismissed. Tiny scale entices users with visions of Lilliputian worlds. The ambiguity of fragments intrigues us, offering tactile reminders of reality's transience. Yet, the standard scholarly approach to such objects has been to see them as secondary, incomplete things, whose principal purpose was to refer to a complete and often life-size whole. The Tiny and the Fragmented offers a series of fresh perspectives on the familiar concepts of the tiny and the fragmented. Written by a prestigious group of internationally-acclaimed scholars, the volume presents a remarkable diversity of case studies that range from Neolithic Europe to pre-Colombian Honduras to the classical Mediterranean and ancient Near East. Each scholar takes a different approach to issues of miniaturization and fragmentation but is united in considering the little and broken things of the past as objects in their own right. Whether a life-size or whole thing is made in a scaled-down form, deliberately broken as part of its use, or only considered successful in the eyes of ancient users if it shows some signs of wear, it challenges our expectations of representation and wholeness, of what it means for a work of art to be "e;finished"e; and "e;affective."e; Overall, The Tiny and the Fragmented demands a reconsideration of the social and contextual nature of miniaturization, fragmentation, and incompleteness, making the case that it was because of, rather than in spite of, their small or partial state that these objects were valued parts of the personal and social worlds they inhabited.