Detailansicht
Expatriate American Authors in Paris - Disillusionment with the American Lifestyle as Reflected in Selected Works of Ernest Hemingway and F.Scott Fitzgerald
ISBN/EAN: 9783640119578
Umbreit-Nr.: 3316370
Sprache:
Englisch
Umfang: 100 S.
Format in cm: 0.8 x 21 x 14.8
Einband:
kartoniertes Buch
Erschienen am 31.07.2008
Auflage: 1/2008
- Zusatztext
- Master's Thesis from the year 2001 in the subject American Studies - Literature, grade: 1.3 (A), University of Paderborn, language: English, abstract: Paris has traditionally called to the American heart, beginning with the arrival of Benjamin Franklin in 1776 in an effort to win the support of France for the colonies War of Independence. Franklin would remain in Paris for nine years, returning to Philadelphia in 1785. Then, in the first great period of American literature before 1860, literary pioneers such as Washington Irving, James Fenimore Cooper, Henry Wadsworth Longfellow, Ralph Waldo Emerson, and Nathaniel Hawthorne were all to spend time in the French capital. Henry James, toward the close of the nineteenth century, was the first to create the image of a talented literary artist who was ready to foreswear his citizenship. From his adopted home in England he traveled widely through Italy and France, living in Paris for two years. There he became close friends with another literary expatriate, Edith Wharton, who made Paris her permanent home. Between them they gave the term expatriate a high literary polish at the turn of the century, and their prestige was undeniable. They were the in cosmopolitans, sought out by traveling Americans, commented on in the press, the favored guests of scholars, as well as men and women of affairs. This thesis investigates the mass expatriation of Americans to Paris during the 1920s, and then focuses on selected works by two of the expatriates: Ernest Hemingways The Sun Also Rises (1926) and F. Scott Fitzgeralds The Great Gatsby (1925). The specific emphasis is on disillusionment with the American lifestyle as reflected in these novels. The two books have been chosen because both are prominent examples of the literary criticism that Americans were directing at their homeland from abroad throughout the twenties.