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A Companion to Digital Art

eBook - Blackwell Companions to Art History
ISBN/EAN: 9781118475218
Umbreit-Nr.: 9259061

Sprache: Englisch
Umfang: 640 S., 18.89 MB
Format in cm:
Einband: Keine Angabe

Erschienen am 02.03.2016
Auflage: 1/2016


E-Book
Format: EPUB
DRM: Adobe DRM
€ 42,99
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  • Zusatztext
    • Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of todays digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists.

      • Showcases the critical and theoretical approaches in this fast-moving discipline
      • Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions
      • Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists
      • Tackles digital arts primary practical challenges how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence
      • Up-to-date, forward-looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art
  • Kurztext
    • Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today’s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. Showcases the critical and theoretical approaches in this fast-moving discipline Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists Tackles digital art’s primary practical challenges – how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence Up-to-date, forward-looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art
  • Autorenportrait
    • Christiane Paul is Associate Professor in the School of Media Studies at the New School, New York, USA, and also Adjunct Curator of New Media Arts at the Whitney Museum of American Art. Prof. Paul is a noted curator who oversees the Whitneysartport website and has for more than a decade conceived and administered the museums new media exhibitions, including Data Dynamics (2001), Profiling (2007), and Cory Arcangel: Pro Tools (2011). Other curatorial work includes The Public Private (Kellen Gallery, The New School, 2013); Biennale Quadrilaterale (Rijeka, Croatia, 2009-10); Feedforward - The Angel of History (LABoral, Spain, 2009); and INDAF Digital Art Festival (Incheon, Korea, 2009). She is the author ofDigital Art (2003),New Media in the White Cube and Beyond (2008), and co-editor with Margot Lovejoy and Victoria Vesna ofContext Providers Conditions of Meaning in Media Arts (2011).